Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907β1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations. Along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel…
Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907β1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations. Along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola Γlvarez Bravo, Nickolas Muray and Martin MunkΓ‘csi, they made Frida Kahlo an iconic image of 20th-century art.
We access the intimacy of Fridaβs affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego and the Casa Azul, Fridaβs home and the center of her universe.
This large-format XXL book allows readers to admire Frida Kahloβs paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years, forming the most extensive study of Kahloβs work and life to date.
The editor and author
Luis-MartΓn Lozano is an art historian specializing in the study of different aspects of modernism in Mexican and Latin American art. He is the recipient of a Fulbright scholarship and has conducted extensive research on the work of both Frida Kahlo and Diego Rivera, as well as publishing widely on both artists. Lozano was formerly the director of the Museo de Arte Moderno in Mexico City and has been a guest curator for many art institutions in the United States, Europe, Asia, Latin America and particularly in Mexico.
The contributing authors
Andrea Kettenmann studied art history in GΓΆttingen and Hamburg before joining the art history department of the University of Hamburg. She has published widely on Frida Kahlo and has contributed to numerous exhibitions and catalogs. She works as a freelance art historian in Mexico City, where she has lived for many years.
Marina VΓ‘zquez Ramos is an art historian specializing in modern Mexican art. She works as a university professor, researcher and exhibition curator, and has edited several publications in Mexico and abroad. She was deputy director general of the Museo de Arte Moderno in Mexico City and is now director of the Mario VΓ‘zquez RaΓ±a Libraryβs Photography Collection and Newspaper Archive.
Hardcover, 11.4 x 15.6 in., 11.91 lb, 624 pages
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